翻訳と辞書
Words near each other
・ La Nuova Venezia
・ La Nya Department
・ La Nya Pendé
・ La Nyalla Matalitti
・ La Nymphe surprise
・ La Négresse
・ La Obertura
・ La Odaie River
・ La odalisca No. 13
・ La Oficina de Envigado
・ La Ola Amarilla
・ La Ola Walzer
・ La Oliva
・ La Olmeda
・ La Olmeda de Jadraque
La Onda
・ La Ondo de Esperanto
・ La Operación
・ La Opinión
・ La Opinión (Argentina)
・ La Opinión (disambiguation)
・ La Opinión de Tenerife
・ La Orbada
・ La Orca
・ La Orchila
・ La Oreja de Van Gogh
・ La Oreja de Van Gogh discography
・ La Organizacion Romantica de Mexico '91
・ La Orotava
・ La Oroya


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

La Onda : ウィキペディア英語版
La Onda
La Onda (The Wave) was a multidisciplinary artistic movement created in Mexico by artists and intellectuals as part of the world-wide waves of the counterculture of the 1960s and the avant-garde. Its followers were called "onderos", "macizos" or "jipitecas".
La Onda encompassed artistic productions of the world of cinema, literature, visual arts and music and strongly addressed social issues of the time such as women's rights, ecology, spirituality, artistic freedom, open drug use and democracy for a country tightly ruled by the PRI.
According to Mexican intellectual Carlos Monsiváis, La Onda was "a new spirit, the repudiation of convention and prejudice, the creation of a new morality, the challenging of proper morals, the expansion of consciousness, the systematic revision and critique of the values offered by the West as sacred and perfect".
== La Onda in music ==

La Onda began with the importation of American and British rock and roll into the Mexican music culture. Throughout the world, rock and roll was spreading and taking root as "a wedge and a mirror for societies caught in the throes of rapid modernization". According to Eric Zolov, author of Refried Elvis: The Rise of the Mexican Counterculture, "rock was a wedge in the sense that it challenged traditional boundaries of propriety, gender relations, social hierarchies, and the very meaning of national identity" which the Mexican PRI (or the Institutional Revolutionary Party) was struggling to define.
By the late 1950s, "youth from the middle classes began to form their own bands…practicing as best they could versions of hit songs in English by their favorite foreign rock'n'rollers". The youth of Mexico was beginning to identify with the youth of the United States and the United Kingdom, and it was only a matter of time before they were also inspired by the social activism of other modernizing countries.
After the 1968 Mexican student movements ended in the Tlatelolco massacre in Mexico City, a native hippie movement known as the "jipitecas" grew in its wake and expanded to the whole country and parts of the USA and Central America. By 1969, a new wave of Mexican rock music began to emerge, fusing Mexican and foreign music with images of political protest. This movement was called La Onda Chicana, culminating in a two-day "Mexican Woodstock" known as "Avándaro" (Festival Rock y Ruedas de Avándaro) which attracted ca. 300,000 people in September 1971.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「La Onda」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.